But don’t worry, you’re not flying blind, Metro: Last Light just integrates game elements that would normally be on your HUD in different, more organic ways.įor example, the air on the surface of Moscow is toxic. Most HUD components have been eliminated, leaving only the ammo counter for your weapon, which is also removed in harder difficulties. To further the immersion, Metro: Last Light implements several gameplay elements that stray away from the standard FPS formula. The ambience of the Metro is immersive to say the least, and so many details are crammed into the environment that it will take you several playthroughs to see everything Metro: Last Light has to offer. Stations are bustling with survivors shops and eateries are present in the dank and dirty underground, and dilapidated tunnels show the scars of countless battles fought there.
The world of the Metro is incredibly detailed. These hallucinations deliver story elements in a much more organic way than a cutscene ever could, keeping you involved in the story, instead of separating you from it.īut what story could survive without a convincing and immersive setting? Thankfully, Metro: Last Light has this in spades. You see this from the perspective of the cockpit. But as you move through the plane, you begin to have split-second hallucinations of the screaming passengers, ultimately culminating in a full-fledged vision of the jet crashing. As you would expect, the aircraft is littered with the skeletal remains of the passengers, which is creepy enough all by itself. For example, early on in the game you find yourself in a plane that crashed into Moscow the day of the nuclear attacks. However, other than the voiceovers, Metro: Last Light prefers to deliver story elements through interactive in-game sequences, instead of obligatory cutscenes. In addition to making load times much less boring, this propels the story forward by giving you access to the thoughts of your character, making it a more personal experience. The story of Metro: Last Light retains its literary roots through narrated loading screens that function almost as a diary of the main character.
The unconscious Artyom and the surviving Dark One are both captured by an enemy patrol, thus setting into motion the events of Metro: Last Light. Through a hallucination, the Dark One shows Artyom how it survived the attack, which knocks him out. He has been promoted to the rank of Ranger, and Last Light opens with him set upon a mission to find a “Dark One” that has survived a missile attack intended to wipe out the “Dark Ones” for good.
You play as Artyom, the main protagonist from both the books and original game. This narrative storytelling approach, coupled with the pulse-pounding survival horror gameplay and atmosphere, is a winning combination that you are unlikely to find anywhere else.
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The concept and story of the game is derived from an immensely popular series of Russian books, written by Dmitry Glukhovsky, who has collaborated on both Metro games. The first thing to understand about the Metro series is that it is based in literature. I mean, it worked for Fallout, right? But fortunately, that is where the similarities end and where the original experience of Metro: Last Light begins. Sure, I knew the basics – post-apocalyptic, dystopian, survival horror – all the standard ingredients for a successful single-player FPS. Having never played the original Metro 2033, I had no idea what to expect from Metro: Last Light.
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